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Editorial ReviewsAmazon.comPerhaps the greatest book by one of our greatest historians, The Discoverers is a volume of sweeping range and majestic interpretation. To call it a history of science is an understatement; this is the story of how humankind has come to know the world, however incompletely (“the eternal mystery of the world,” Einstein once said, “is its comprehensibility”). Daniel J. Boorstin first describes the liberating concept of time–“the first grand discovery”–and continues through the age of exploration and the advent of the natural and social sciences. The approach is idiosyncratic, with Boorstin lingering over particular figures and accomplishments rather than rushing on to the next set of names and dates. It’s also primarily Western, although Boorstin does ask (and answer) several interesting questions: Why didn’t the Chinese “discover” Europe and America? Why didn’t the Arabs circumnavigate the planet? His thesis about discovery ultimately turns on what he calls “illusions of knowledge.” If we think we know something, then we face an obstacle to innovation. The great discoverers, Boorstin shows, dispel the illusions and reveal something new about the world.Although The Discoverers easily stands on its own, it is technically the first entry in a trilogy that also includes The Creators and The Seekers. An outstanding book–one of the best works of history to be found anywhere. –John J. Miller –This text refers to the Paperback edition.From Publishers WeeklyIn Boorstin’s 1983 bestseller The Discoverers , the achievements of Galileo, Columbus, Darwin, Gutenberg and Freud emerged as upwellings of creativity and courage, ingenious acts of revolt against ingrained habit. This richly illustrated two-volume edition reveals the world as known to the discovers themselves. We see the tools of discovery–Egyptian obelisks, early clocks, Leeuwenhoek’s microscope, Mercator’s maps, botanical drawings from James Cook’s voyages–and glimpse the social, cultural and political background, made concrete in 550 pictures including paintings, sculpture, engravings and architecture. A photograph of 15th-century cast bronze type from Korea underscores an Eastern invention that could have changed the course of printing, perhaps of science and culture. In a feast for the mind and eye, itself a delightful adventure in discovery, Boorstin, librarian of Congress emeritus, profiles–and places in context–scores of innovators who broke with dogma and tradition.