Description

SHARING THIS ELSEWHERE WILL GET YOU BANNEDTHIS IS A elib.tech EXCLUSIVEKEEPING IT THAT WAY WILL BE APPRECIATEDSinging Bowl Research Series Stage 6, Soundscaping Stage 5 by Christopher Jaros[FLAC]01. Stage 6a: Soundscaping Stage 5 – Dark Mood (30:30)02. Stage 6b: Soundscaping Stage 5 – Light Mood (30:30)03. Stage 6c: Soundscaping Stage 5 – Deep Flow (30:30)Singing Bowl Research Series – experience therapeutic singing bowls (headphones or good 2.0 speakers are recommended, setup your comfortable volume)NOTE: this is an experimental recording, for rather educational and research needs; although we do not guarantee satisfactory reception, our experience shows that such sessions may introduce unexpected and valuable effects for your benefit.Music tracks in this series are “byproduct” of research on sound playing bowls (also known as Tibetan, singing, or simply – sound). Due to the rather non-linear characteristics of sounds, instruments of this type are difficult to study mathematically or egzemplarycznie. Although they are simple composites of sound generators similar to those that you can now get a computer, in the case of complex solutions is somewhat more complicated. The sound is the sound of the bowl is not producing area and is the disturbance space, an anomaly that produces this sound. Unusual situations require unusual methods. This “method” in this case – is the creation of complex acoustic spaces and study them as a whole. In other words, playing a simple instrument, the result is a simple, structured music, which results in additional interference; compose “music” from the bowls sound is rather by creating a sonic space, which are introduced interference to get the effect.These compositions are based on SBRS 5th Stage However, they are quite different from its predecessor. First of all – have been developed as a landscape – that is, spaces that simply float softly himself, surges in individual bowls (same sound decay – with the exceptions). Secondly – they are more closely related to SBRS Stage 1, because the higher sounds – subtly fade into the background of growing. Since the surgery to remove bumps in the bowl and smooth the rate rise – deprives the theme of “identity misowej”, a track more closely interact with the same content of internal experience than it stimulates. Thus, the record changes the nature of the general, to “travel”. Where they take you listening to these sounds – I do not know, but certainly it will be intriguing shamanic location or area of ​​consciousness. Remember that these are still experimental productions.The album consists of three variations. The first (dark mood) is for lovers “apparent darkness”. Structurally this variant was needed for further research, by its nature, the sound – it is a controversial tool (paradoxically – effective), which you can measure your own level of anxiety and – put his head under controlled conditions. The apparent impression of “darkness” is the result solely psychoakustycznym, so building around that some “theory” – is the result of certain cultural and social trends that show such is the source of some anxiety that occur in extreme situations. Two other compositions – are built from the same source material. In contrast, the second path (light mood) – contains a high-pitched sounds in the form of dynamic (impact to the bowl instead of the soft rise), and the third (deep flow) – is generally devoid of the top layer (de facto – fitted with a different type of mis player).Listening to this album, reach even after two consecutive – Stage 6 and 7, which focus on wyławianiu harmonic patterns and laying the very threads straight out of this world. UNIVERSAL Caution note: While various types of vibrations, pulsations and holoacoustic effects occurring in the recording are due to natural sound structures used in the music production process, in That suggest you take the same safety Principles, like in case of recordings with binaural beats or any other psychoactive music. Generally speaking Indications These say about caution and consultation with your doctor in case of epilepsy, pregnancy, mental disorders or other health related doubts. Do not drive while listening, and do not operate any machines. These materials as and sound recordings, although they may be used as a Therapeutic Tool, they themselves – are an artistic expression and so they Should Be Considered. The author does not take the responsibility for any Consequences coming out from use of These materials. Also, remember, that ‘although a dry recordings can be used as a great Addition to support and / or supplement the treatment, healing and recovery – keep in mind, that’ dry recordings will not substitute proper medical diagnose nor care, and they Should Be not used as a replacement in this area.Description copied from Google translator