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SHARING THIS ELSEWHERE WILL GET YOU BANNEDTHIS IS A elib.tech EXCLUSIVEKEEPING IT THAT WAY WILL BE APPRECIATEDSinging Bowl Research Series Stage 3, Lights of Antiquity by Christopher Jaros[FLAC]01. Stage 3a – Lights of Antiquity (36:40)02. Stage 3b – Soundscaping the Light (36:40)Singing Bowl Research Series – experience therapeutic singing bowls (headphones or good 2.0 speakers are recommended, setup your comfortable volume)Music tracks in this series are “byproduct” of research on sound playing bowls (also known as Tibetan, singing, or simply – sound). Due to the rather non-linear characteristics of sounds, instruments of this type are difficult to study mathematically or egzemplarycznie. Although they are simple composites of sound generators similar to those that you can now get a computer, in the case of complex solutions is somewhat more complicated. The sound is the sound of the bowl is not producing area and is the disturbance space, an anomaly that produces this sound. Unusual situations require unusual methods. This “method” in this case – is the creation of complex acoustic spaces and study them as a whole. In other words, playing a simple instrument, the result is a simple, structured music, which results in additional interference; compose “music” from the bowls sound is rather by creating a sonic space, which are introduced interference to get the effect.While sound therapy bowls (and part meditation), Peter Hess, a basis of 12 metals – perfect for body work and massage sound recording production better suited to good quality antique bowl (and some contemporary), forged usually seven metal alloy. Although these różnce hear at first ear, a proper assessment can be made only if – when you’re dealing with complex spaces, where some merges sound vibrations in the carpet, and some – highlights the characteristics of the individual identity of the individual bowls. A single bowl or even a quartet – always evokes the same “initial enthusiasm”. So how to choose?The paradox of Peter Hess sound bowl lies in the fact that the absolutely best work are the “average” because it is they create a space, and individuality – quite often bring to the dissonance. Sound Spaces mis treatment in comparison with classical – are transparent (neither gray nor a dull, though so deep – it is neutral and indifferent, however.) This is a very good feature to work with the body and the process, similar to a “tool”.With (good quality) antique bowls is a bit different. When the sound in one space, which fades at the same time dozens of bowls (a variety of time is even higher) – you may suddenly feel like in the ancient city built of subtle light – in the spiritual city vibrant and wisdom. The presence of so many different temperament, “the luminous fields of consciousness” that makes … wonder just passes. But its place is something else – sunny light, peace and wisdom of the new level of perception. Something a bit like a revival – first, everything attracts attention, and later – becomes normal (but do not stop or does not raise the attachment, because everything flows). This effect might be imprinted awareness of skilled artisans who have spent much time and gave of himself in the process, and it may be a remnant of the church (individual or group) dealing with the Spirit.    Technical Information for geek’ów:        # R-BPM: ua (R / K according to the pattern of coherent human consciousness)        # ADR: ua (a uniformly variable density field)        # c-ratio: about 5        # lane 2, the result of the process krajobrazowania (used for further research) UNIVERSAL Caution note: While various types of vibrations, pulsations and holoacoustic effects occurring in the recording are due to natural sound structures used in the music production process, in That suggest you take the same safety Principles, like in case of recordings with binaural beats or any other psychoactive music. Generally speaking Indications These say about caution and consultation with your doctor in case of epilepsy, pregnancy, mental disorders or other health related doubts. Do not drive while listening, and do not operate any machines. These materials as and sound recordings, although they may be used as a Therapeutic Tool, they themselves – are an artistic expression and so they Should Be Considered. The author does not take the responsibility for any Consequences coming out from use of These materials. Also, remember, that ‘although a dry recordings can be used as a great Addition to support and / or supplement the treatment, healing and recovery – keep in mind, that’ dry recordings will not substitute proper medical diagnose nor care, and they Should Be not used as a replacement in this area.Description copied from Google translator