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SHARING THIS ELSEWHERE WILL GET YOU BANNEDTHIS IS A elib.tech EXCLUSIVEKEEPING IT THAT WAY WILL BE APPRECIATEDSinging Bowl Research Series Stage 11, Soundscaping Stages 1 & 2 by Christopher Jaros[FLAC]01. Stage 11a: Soundscaping Stage 1 – Flow (30’20 “)02. Stage 11b: Soundscaping Stage 2 – Light (30’00 “)NOTE: this is an experimental recording, for rather educational and research needs; although we do not guarantee satisfactory reception, our experience shows that such sessions may introduce unexpected and valuable effects for your benefit.Music tracks in this series are “byproduct” of research on sound playing bowls (also known as Tibetan, singing, or simply – sound). Due to the rather non-linear characteristics of sounds, instruments of this type are difficult to study mathematically or egzemplarycznie. Although they are simple composites of sound generators similar to those that you can now get a computer, in the case of complex solutions is somewhat more complicated. The sound is the sound of the bowl is not producing area and is the disturbance space, an anomaly that produces this sound. Unusual situations require unusual methods. This “method” in this case – is the creation of complex acoustic spaces and study them as a whole. In other words, playing a simple instrument, the result is a simple, structured music, which results in additional interference; compose “music” from the bowls sound is rather by creating a sonic space, which are introduced interference to get the effect.Continued sound crazy experiments in Labs Explorers. Because the processes and wyławiania krajobrazowania harmonic patterns proved to be extremely fruitful, it’s time for further exploration. Strangely enough – though the use of “magic event cases” – failed to retrieve the source code of the old projects, without them you would have to do everything from scratch. The possibility of relying on material from Stage 1 and 2 is very valuable. Not only because the same session, prepare the bowls sound base, a few days of intensive work, but mostly because – that levels 1 and 2 – resulting in a rather interesting circumstances, and the accompanying state of mind (which acts as a barometer) – gave it all the tonal colors of samples. Landscape is the first step to obtain beautiful patterns of harmonics, even though such material – is also interesting in itself. Landscape makes the fact that the area of ​​sound – to a greater extent, interacts with the inner experience than it stimulates. But it does not generate the content, rather gives direction for expanding journey. Your own journey.Description copied from Google translator