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SHARING THIS ELSEWHERE WILL GET YOU BANNEDTHIS IS A elib.tech EXCLUSIVEKEEPING IT THAT WAY WILL BE APPRECIATEDSinging Bowl Research Series Stage 16, Mixing Soundscapes of Stage 11 by Christopher Jaros[FLAC]Stage 16a: Mixing Soundscapes of Stage 11 – moderate (30’20 “)Stage 16b: Mixing Soundscapes of Stage 11 – Intensive (30’20 “)NOTE: this is an experimental recording, for rather educational and research needs; although we do not guarantee satisfactory reception, our experience shows that such sessions may introduce unexpected and valuable effects for your benefit.Music tracks in this series are “byproduct” of research on sound playing bowls (also known as Tibetan, singing, or simply – sound). Due to the rather non-linear characteristics of sounds, instruments of this type are difficult to study mathematically or egzemplarycznie. Although they are simple composites of sound generators similar to those that you can now get a computer, in the case of complex solutions is somewhat more complicated. The sound is the sound of the bowl is not producing area and is the disturbance space, an anomaly that produces this sound. Unusual situations require unusual methods. This “method” in this case – is the creation of complex acoustic spaces and study them as a whole. In other words, playing a simple instrument, the result is a simple, structured music, which results in additional interference; compose “music” from the bowls sound is rather by creating a sonic space, which are introduced interference to get the effect.One of the research in the realm of sound – is the study of compatibility (compatibility) of the various vibration-tonal space and identify the means by which two different spaces can be to each other “close”. The source for this experiment are two separate recordings, consisting of two types of bowls players: one composed of large bowls therapy (see Level 1), and the second – with small bowls of meditation (see Level 2). The combination of such compositions, each of which one – has characterized the optimal dynamics – would not be possible without the process krajobrazowania (see the description of Level 6). Meanwhile, landscape reveals that they can be linked, and this in different ways. It’s a bit “symmetry weights” (or a picture of wave interference fringes), which predominates or a shawl, or the other – and this effect occurs only when the appropriate balance is maintained the intensity of sound (if it is not preserved – the mix loses its coherence .) When one type of sound prevails over the other, keeping the aspect ratio – the color gets contemplative composition when it is exactly the opposite – the composition is exploratory.Description copied from Google translator