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http://www.seduction.com/livetraining/magick-seminar-2day.ph…Attention Speed Seducers, NLP’ers, Wiccans, Pagans, Self-Improvers, Warriors, And Those Who Just Want A Hell Of A Lot More In Life…Amazing Seminar In Los Angeles, March 31 AndApril 1 Reveals: Secrets Of ConsciousnessCultivation Magick, “Non-linear” ManifestationAnd “Non-Local” InfluenceOr…How To Create And Use Your Own Rituals,Symbols and Personal Language of Desire ToUndo Your Limited Sense Of “Self”, RadicallyRe-Design Your Life, And Non-Verbally/Non-Locally Influence People And Events!    Pre-Influence Events And Circumstances In Your Favor    Create A Glamour Of Irresistible Attractiveness    Master The Seven Basic Skills For Profoundly Powerful Mental Influence    Engineer Coincidence    Undo And Unblock Your Limited Sense of Identity And, Daily Design Who You Want To BeHere’s Exactly What I Mean By MagickMagick, as defined by Aleister Crowley (one of the fathers of the modern practice) has nothing to do with rubbing lamps and getting wishes granted by genies. Magick means,“Change according to the will.”It is the structured use of personal ritual, symbology, movement, and breath to:    Uncover and bring to light deeply hidden patterns that are profoundly embedded in the personality    Deconstruct them so they no longer bind you, distorting your perception and driving your behavior    Design in the qualities of personality and ability that you would like to have to bring you to where you want to be in your life.Become Truly FreeIn other words, “magick” by this definition is a psycho-technology. A way of unbinding and “de-robotizing” oneself so one can become truly free to use the full creative potential of mind on all levels: Conscious, Unconscious, and “Super-conscious”.What Is “Non-Local” Influence?You can look at humans as functioning on two levels:    A simple, materialistic, “cause and effect” level. In this model, humans are just bags of chemicals, everything is matter, all information comes in through the 5 senses, and everything works in a straight line, with linear progress    A “non-materialistic/non cause and effect” level. In this model, humans are more accurately described as patterns of information, we are all connected “non-locally”, no matter how physically separated we may appear to be by distance, information and order can be duplicated without having to travel across any distance, and chaos and non-linear shifts and jumps are what make the world really work.Here’s The Really Important Part, And What You’ll LearnWhen You Enroll In This SeminarThe smart view (and the real skill) is to be able to walk back and forth between these two, according to what the situation calls for.That’s what I’ll be teaching in this event and what you’ll learn to master.Let Me Tell You Just Some Of The Secrets You Will LearnFrom Me, That You Won’t Find Anywhere Else!!    How To Cultivate The Three Types Of Consciousness – Witness, Will and Creative- To Create Change In Yourself And Your World.    How To Pre-Influence Events And Circumstances In Your Favor – Why wait for that business meeting to start or for the evening of “meeting people” to begin, before you start getting results? Learn to reach out and “pre-influence” events energetically so they roll around in your favor as you wish them to! Get the leg up on the competition before THEY even step out the door!    How To Step Into The Most Important people In Your Life And Know Their True Thoughts And Intentions – (What would that be worth finding out BEFORE you enter a potentially disastrous business deal, negotiation, relationship or even marriage?)    How To Shift The Thoughts Of Others Without Saying A Word And Without Even Having To Be In Their Presence – This can be used to shift general emotional attitudes of others towards you and pre-dispose them to be more co-operative, friendly, seducible OR it can be used for more specific thought “guiding”, as in seduction, business deals, promotions, hiring and similar areas of endeavor!    Secrets Of Command Presence! How To Radiate Authority, Power And Silently Give The Message You Are A Person To Be Given Priority And Respect!!!    How To Program Others To Dream What You Wish – Here it is, my fabulous “Dream VCR”. Learn to influence others erotically AND OTHERWISE when they are dreaming and asleep! Married, single or somewhere in between, THINK OF THE POTENTIAL! This is the “stealth” technique that you can use to have people thinking the thoughts about you that you want and ENJOYING taking the actions you want them to take!    Two Different Methods For Remotely Influencing Those In The Same Room Or Building As You (These methods are ideal for “line of sight” influencing of others, whereas the other methods I will teach you don’t even require you to be in the same city!)—–Notes courtesy of JohnFleabass“The Future exists first in the imagination, then in the will, then in reality…”Ritual Magick and Psychic InfluenceThese are my personal notes on the Magick and Psychic Influence Seminar by RossJeffries. I have also incorporated supplementary material where appropriate.ContentsPage Subject2 Influences and Sources3 Points to Ponder3 Basic Structure of a Ritual4 Introduction: Magick and the Ritual frame by Phil Farber6 Introduction: Chaos Magick Explained8 Important Abilities in order to perform rituals9 Neuro-Linguistic Curses10 Feeling At Cause instead of At Effect10 Imagination10 Intent11 Will11 Identity and Belief11 Resources and Representations12 Breathing Techniques12 The Circle12 Banishing13 Closing the Ritual14 The Clearing Ritual15 Doubt Equals Failure, Expectation Equals Doubt16 Sigils17 Recommended Reading18 The Magickal Sargy Self Ritual22 Ideal Mate Ritual23 Psychic Influence23 Important Abilities in order to perform Psychic Influence23 The Step-Into Exercise24 The TV Screen Exercise24 Glamour Spell25 A Process from Ross26 Etheric Yank28 Dream VCR30 The Soulmates PatternInfluences and Sources·  Neuro-Linguistic Programmingo A study of the structure of the internal human experience. Based on thehypnosis of Milton Erickson, the therapeutic work of Virginia Satir, andthe work of Fritz Perls, originator of Gestalt therapy. NLP was inventedby Richard Bandler and John Grinder.o Ross Jeffries laid further NLP groundwork with the invention of SpeedSeduction.o Some of the Psychic Influence material is derived from the NLP work ofTom Vizzini and Kim McFarland of Essential Skills.·  Silva Mind Controlo Hypnosis, meditation, alpha state, visualization, ESP.·  Huna Magic (A Polynesian system of magick)o Choose beliefs and identities based on effectiveness…. create your ownpersonal reality…Energy flows where attention goes.·  Yogao An eastern discipline of breathing and meditation that incorporatesphysical movement and the physiology.·  Ritual Magick as described in FutureRitual by Phil Farbero Heavily influenced by NLP, Thelemic and Chaos magick, and the researchof Aleister Crowley.·  Chaos Magicko System of magick originated by Austin Osman Spare. Heavilyincorporates symbology. Primary assumption is that belief is a tool forachieving effects; it is not an end in itself.·  Jungian Psychologyo System of psychology focused on symbols, archetypes, andcommunication with the unconscious mind through dream interpretation.Points to Ponder·  This document is structured such that you will have to read it more than oncein order to fully grasp all of the concepts involved. Let it sink in.·  Think of everything in this document from an NLP perspective. Magick,in this context, cannot change physical law. All you are doing isprogramming your own brain and harnessing the resources available in yourown unconscious mind.·  The point of magick, in the context of this document, is to accomplishyour will by focusing and controlling your energy, imagination, state, andintent. Therefore, in order to be effective, it is of the utmost importance tolearn how to focus your intent, use your imagination, change your state, anddirect your energy. Here is Ross’s definition: “Magick is change inaccordance with one’s will and imagination, utilizing the energy ofbody, breath and mind.”·  Obtain and use a Magick Journal. Keep notes.·  Always spend some time studying / designing any ritual before performing it.·  The Clearing Ritual is a small, basic, 3-step ritual that is effective and usesone breathing technique. You can perform it for a few days to get started,while you are studying to perform the bigger ritual.·  When you feel prepared to perform the “Magickal Sargy Self” ritual, startdoing it 3 times per week. Note all your thoughts / states / experiences in yourMagick Journal.Basic structure of a ritualForm a specific statement of intent.Energize with BreathingBanish, to clear a ritual space.Perform the ritual itself.Close the ritual.Magick and the Ritual frameBy Philip H. FarberWhat do you think of when you read the term “magick”? Witches performingspells? Medieval ceremonialists in hooded robes? Stage illusionists pullingbunnies out of hats? Special effects from fantasy films? Some force that youbelieve or don’t believe in? Allow me to ask you to set those mythic ideas aside fornow. While this discussion may eventually wind its way back to the realm of theremarkable, I’d like to start in a much more familiar place.The broadest definition of magick was offered in the early 20th Century by theoccultist Aleister Crowley who suggested that magick was “the art and science ofcausing change in conformity with will.” (Crowley was also responsible forreturning the “K” to the spelling of “magick,” to distinguish the mental andspiritual discipline from stage illusion.) For the purposes of our immediatediscussion, I’d like to narrow that down a little further and say that magick is theart and science of using ritual technology to cause change. In short, the work ofthe magician is to do whatever is necessary to create an altered state that results inchange and a desired outcome. Sound familiar? From this point of view, theboundary between hypnosis as we know it and magick as we might learn to acceptit is somewhat vague. The essential difference that I’ll offer here is the concept of a”ritual frame.”We encounter ritual frames every day. Ritualizing seems to be a fundamentalhuman behavior, something we use and experience in many aspects of our lives.For instance, if you choose to have a romantic dinner with someone special, there’sa particular ritual that you may use to enhance the situation, create an altered state,and achieve the desired outcome of romance. No “love spell” is necessary toperform this magick – the ritual is simply to ensure that every aspect of thesituation is aligned with the goal: the lights are dimmed, the candles lit, thechampagne chilled, the food perfect, the music soft and suggestive. If you get thatritual right, then an altered state is produced – a comfortable sharing, perhaps – andyour desired outcome – romance – is achieved. This ritual can be repeated withvariations to achieve a romantic effect time after time.Similarly, most of us have rituals that we use to prepare for a day of work.Personally, I shower, meditate for a short while, eat a light breakfast, put on somepresentable clothes, and make sure my office is clean and ready. I repeat that ritualeach time I want to enter the state of mind necessary to engage in my work as ahypnotherapist. And then there’s yet another ritual frame that is created when myclient walks through the door – the way I greet him or her, the pre-session talk, anychanges in the lighting or music, the invitation to sit in the trance chair, and so on.Formal trance induction and NLP methods also often involve ritual frames thatprovide a setting for the content of the session. We each develop the ritual framesthat work best for us.Just as the Ericksonian definition of hypnosis suggests, “Trance permits theoperator to evoke in a controlled manner the same mental mechanisms that areoperative spontaneously in everyday life,” we may find that magick is subject to avery similar definition. The mental mechanisms, however, may have a slightlydifferent emphasis, with magick being more concerned with our ability to createritual frames “in a controlled manner.”The examples I’ve just given – romance and preparation for work – are commonand naturally- occurring uses of ritual. A glance at a medieval grimoire (magicaltextbook or collection of rituals), however, will offer up rituals that are perhapsnot quite so easily understood. Ancient languages form chants and calls that areembellished with symbolic gestures, actions, sounds, and images. One of theexplanations for the arcane qualities of these rituals is simply that these ritualactions had more natural meaning in the context of the medieval world. Whilesome of the elements may seem bizarre to those of us living in the 21st Century,they may have been more familiar to the clerics and alchemists of the Dark Ages.There’s more, however. Most of the rituals found in old texts like “The Keys ofSolomon” or “The Sacred Magick of Abramelin the Mage” had very specific andvery intense purposes. The idea was to create altered states of singular depth andutility.Here’s another point of commonality with hypnosis. While some rituals definitelyhad consciously directed purposes (not unlike the “romance” example above), theforms that were described as “High Magick” were more interested in connectingthe conscious mind with that part of the unconscious variously referred to byritualists of yore as “the high self,” “the perfected self,” or “the Holy GuardianAngel.” Like the “benevolent unconscious” found in some models of hypnosis, the”perfected self” was understood as an intelligence above and beyond the normalego-consciousness with a much greater understanding of the unique purpose anddirection of the individual. Outcomes of ritual work would ultimately be generatedfrom contact with that level of the unconscious. Just as some of the outcomes ofhypnotherapy may seem miraculous to the uninitiated, the results of thesepowerful rituals could definitely seem like… well, magick.Anyway, the point of all this just now is to introduce some concepts and terms thatwill come in handy as you further explore this site. In the meantime, think aboutthe use of ritual frames in your own life and work and perhaps you’ll find aglimpse of magick.——————————————————————Chaos Magick Explained(Author Unknown)[Note: I found this online, in a FAQ on Chaos Magick. It is provided here only to givesome context and history.]Chaos magick is the fruit of Austin Osman Spare and Peter Carroll’s rebellionagainst the traditional magickal systems, which they deemed needlesslycomplicated, discriminatory and impotent.Influenced by both Spare and Carroll’s scientific pursuits and interests, ChaosMagick is a ‘non-system’ focusing on the mechanism of ‘belief’ as a means toachieve a desired end. Belief in anything, -a force, a diety,- will be adopted for thepurpose of the magickal work at hand and then discarded after it has served itspurpose. To do this, magicians must become skilled in changing their beliefs at amoment’s notice and ‘believing’ that “Nothing is True and Everything is Permitted”as Ray Sherwin wrote in ‘The Theatre Of Magick’ “The (Chaos) Magician believesnothing in the sense of having faith. He experiments practically to ascertain ifthere is any value in the postulates he has either originated or borrowed fromelsewhere. It is a fact that we all must hold certain organic beliefs for the sake ofconvenience. You all believe that the chairs you are sitting in are real — most ofthe time. This is not however a mental process, but rather an instinctive or organicone without which life would be impossible.”The path of Chaos is not one for the weak or fearful. You must realize that you areentirely on your own and free to do as you please, therefore you alone areresponsible for the outcome of your actions. You will not find ‘Karma’ or ‘The Lawof Three’ in Chaos Magick to comfortably set your limits for you. Chaos Magick isnot black, white or gray, it is simply neutral energy which you will shape into yourintention. Therefore, unless you have a solid code of ethics and know what you aredoing, Chaos Magick is not for you, indulge in foolishness and you will quickly beon the way to self-annihilation.In Chaos Magick it is up to you to use or create whatever methods of ritual ormagickal workings you desire, however there are three core practises that Chaotescommonly use and they are: gnosis, god-form/servitor work, and sigilization.Chaos magick relies on ‘gnosis’ an altered state of mind to achieve effects. It is astate of single-mindedness that can be achieved through yoga, drumming,chanting, dancing, sex and masturbation and through the use of certain drugs. Youwill know that you are in a state of gnosis once your mind stops rationalizingabout your experience…it is the gateway into your subconscious.Chaotes generally don’t worship a ‘god’, but as mentioned above they willtemporarily believe in any god-form required to make their magick work. Workingwith god-forms in Chaos Magick involves the same or similar invocation orevocation methods used in traditional systems. Unlike god-forms that alreadyexist, servitors are magickal beings, created by a magician to perform a certaintask. Servitors are created in a state of gnosis and stored in a material object suchas sigil, which then enables the magician to summon, communicate and affect it.There are mainly two types of Servitors; “Egregores” which are large servitorsusually created by a group of magicians and remain in existence indefinitely, and”Independent Thought-Forms” which are usually active for the duration of themagickal working and then destroyed by the magician.Sigil Magick was developed by Spare and involves the creation of an abstractimage of the magicians written will or intent and absorbing the sigil into thesubconscious in a state of gnosis. It then, should be forgotten and the material sigildestroyed, for it is believed that once the sigil is in the subconscious mind it willoperate unaided.Chaos magick is path of complete magickal freedom, make your choices carefullyand be responsible. Above all, if such freedom makes you uncomfortable and youfeel a compelling need to be governed by dogmas, then steer clear from the path ofChaos or your sanity just might get swept away…Important abilities in order to perform rituals1) Ability to perform various breathing techniques. Ross: “Few people breathe in away that energizes what they are doing.”2) Ability to form a clear and specific statement of intent.a. “My intent for this working is to accomplish ‘X’.”b. “My intent for this working is to ritually charge the Sigil ‘X’ with themeaning ‘Y’.”3) Ability to enter various meditative altered states. Rituals have been performedwith music, meditation, light and sound machines, mind-altering substances, etc.Whenever those things are incorporated it is because of their ability to alter yourstate. Experiment and keep a Magick Journal to record your results.4) Ability to visualize vividly. If you think you have trouble visualizing a door, thenjust pretend or imagine that you are visualizing a door. This principle will suffice.Visualization does improve with practice.5) Ability to create and hallucinate kinesthetic sensations in your own body.Emotions and states are commonly perceived as moving through the body.Remember the last time you experienced a certain state. Remember what yousaw, heard, felt, etc. Imagine those feelings circulating and moving through yourbody.6) Ability to incorporate actual physical body movements (incorporate thephysiology) with your visualizations to make more powerful impressions on theunconscious mind. Physically step into your circle. Physically pull a certainresource into your body. Etc.7) Ability to design and visualize sigils/symbols. A Sigil is a word or symbol thatyou invent, and attach meaning to, using your energy, imagination, andintent, while in an altered state. Read the previous sentence again, as itprovides a complete summation of the point of ritual magick (in the context ofthis document.) More on Sigils later.8) Ability to close the doors of intention…to put things out of the conscious mindonce the working is complete. You focus your intention to perform the ritual andthen you set it aside. Let some unconscious ‘cooking’ take place. When youthink too much about something consciously, you trigger conscious thoughtprocesses. Remember, expectation equals doubt.Neuro-Linguistic CursesMany of the things we commonly associate with “Magick” are things that we normally doanyway, and that actually have a real effect. For example, curses.A curse is any construct that keeps a person in a limiting identity or life condition, and isunbounded through time. (A construct is a pattern of thought that operates betweenyourself and the world.) Some common curses are…1) I can’t. (I never have before, therefore I never could in the future.)2) It’s too good to be true. (The only true things are limit and pain.)3) I never / I always. (Again, defining future limits based on past behavior, thuslimiting yourself to only what you have done before.)4) It’s just not me. (Here is a person who defines his identity – and thus his futureresults – based on whatever happened in the past. Because of this, he can neverchange, and thus he can never get different results. So that is an example of aconstruct in his mind, which is real, and which will indefinitely prevent him fromgetting laid. Ross’s point is, “How is that any different from a witch pointing amagic wand at him and cursing him to never get laid?”)Deservingness is bullshit. Things are either familiar or unfamiliar. By definition, youcannot get different results from the familiar. Thus the curse of the familiar. It’s notyour history on a subject that’s keeping you stuck. Rather, it’s when you do the things,having the responses, generating the feelings, which created the history. [Fig 1.]Figure 1.EventsEmotionsand EnergyBeliefs,Meanings,DecisionsPage 10 of 30Feeling At CauseVersusFeeling At EffectWhen you feel at cause, your energy expands, whereas, when you feel at effect, yourenergy contracts. Practice expanding your energy. Self-pity is the killer…you cannot domagick and be in self-pity, because to feel self-pity is to feel at effect instead of at cause.Energy Contraction / Expansion Exercise: Tuck in your pelvisso that your sacrum is aligned straight up and down. Hold yourright thumb in your left hand at your one-point. Tighten with abreath out. Stare at the space 10 feet away on the floor. Hold for10 seconds. While tightening the sphincter, bend the kneesslightly. Now, release, breathe in, and expand out your arms.If you’re comfortable doing something, it’s because it’s what you’re used to doing. Andif it’s what you’re used to doing, then maybe it’s not what you’ve chosen – it’s just whatyou’re used to doing. That doesn’t mean it’s bad; maybe it’s good. Discomfort can alsobe good, because it means you are doing something new. It means you are at cause. Itmeans you might be making choices intelligently instead of just doing what iscomfortable.ImaginationThe Green Lantern (a comic-book superhero) had a ring that gave him the power to makereal the creations of his imagination and will.IntentNLP is more than mechanics. Intent is necessary for the mechanics to work, whether youare visualizing a resource or setting an anchor.A principle of manifestation is: If you can’t say it, you can’t have it.Focused intent is what is missing from much of communication. As an example, Rossdemonstrates that even the effectiveness of Anchors is based on your intent when you firethem. “When I move the pen away, I am also turning down my state, and his shifts aswell. The pen hasn’t necessarily become a magic wand…just a focus point.”Anything in your physical environment can be a magical item if you make it the focus ofyour state and intent.Because your state and intent and focus of energy have such an effect on the results, youhave to watch your state – shifting your state will shift other people’s state as well. (Thisshift = psychic influence. Again the terminology share between NLP and magick.)WillWill is focused intent. (We’re not referring to “willpower,” which implies effort.Willpower is bullshit. We’re referring to your actual will…that is, the things that youactually make happen as opposed to the things you wish would happen.)You cannot force someone to do anything against his or her will (at least, usinghypnosis.) But…most people have no will anyway. Rather, they usually just have abunch of wishes bumping around in their head.Create a life condition where your will flows freely. Remember, you don’t get whatyou want, rather you get what the energies you create and project can connect with.“If you don’t have the ability to give up control, and then take it back, then you never hadcontrol in the first place.” -YatesIdentity and BeliefConsider the concept of creating and choosing beliefs and identities based on, notwhether they are objectively true, but rather based on how useful they are. What if youcould try on different identities like trying on different clothes? Use identity as a tool.Resources and RepresentationsA resource is something that you imagine, which has a certain meaning to you. Yourepresent this in your mind as an image, or a sound, a body sensation, a character, etc, ora combination.It might be thinking of music or a certain song. It might be an imaginary yellow lightwith an imaginary warm glow in your body.It might consist of a fictional character that, to you, represents a certain meaning, attitude,or state of mind.When you are searching for a certain resource in your mind, use whatever best representsthat meaning to you.Breathing TechniquesEnergize with breathing. Practice these for a minute or two each day, so that youwill not have to consciously concentrate on your breathing while performing a ritual.There are two types of breathing to be aware of at this time:a. The Breath of Fire: 10 extremely fast inhale/exhale pairs through thenose. Then, to prevent hyperventilation, do one long, deep inhale andexhale.b. Sanchin [Sahn-chin] breathing: Keep the tip of your tongue touching theroof of your mouth. Breathe in through the nose for 2 seconds, outthrough the mouth for 6 seconds. While inhaling, push your stomach out.Do not move your chest. While exhaling, slowly pull your stomach in.Also while exhaling, tighten your stomach muscles and visualizecompressing your energy into your one-point. (The one-point is locatedapproximately two inches under the navel.)c. The Four-Fold Breath: Inhale for a count of four, hold for a count offour, exhale for a count of four, and hold for a count of four. Repeat.“Howlie” – A derogatory Hawaiian term for white man. It means, “one without breath”or “man who does not know how to breathe properly.”The CircleThe circle is the place where all realities are possible. It can be visualized. Or it can bean actual circle drawn on the ground. Some people use a mat for this purposeBanishingKnow how to Banish, to clear a ritual space. Remember: The point of banishing is toclear a space for working. This is to flush out all distractions, thoughts, feelings, andenergies that are unrelated to the working at hand. What you are doing is creating yourmagickal circle where the ritual can be performed. This is a SPATIAL ANCHOR thatsays, “In this space, only what I bring forward with my will, my intent, my energy, myimagination, is allowed. Everything else is OUT.” Here are some methods forbanishing:1. Make loud noises, such as clapping your hands, chanting, banging pots,whatever. Or play a loud 2 or 3 minute recording of tribal drums. (It shouldbe a recording that you use only for this purpose, so there are no otherassociations to it in your mind.)2. Burn some incense. Again, it should be a smell that is used ONLY for thepurposes of this ritual, so that it will not be weakened with other neuralassociations in your mind.3. Make a statement to yourself such as, “I now clear away and banish alllimiting influences and enter a place where anything can be made possible.”4. Close your eyes, and look upwards about 30 degrees. (Toward the spotbetween your eyebrows.) Looking up in this manner will induce the Alphastate.5. Perform the Breath of Fire (2 or 3 times.)Now that you have banished, you can physically step into your circle and perform theritual itself. Some people play “New Age” type music during this time, as an auditoryanchor for the ritual and state. Also, try lightly pressing the tip of your thumb to the tipof your middle or ring finger. (Do this with each hand.) This is just a kinesthetic anchorfor the ritual and state. In both cases, the anchors are unique and should not be usedoutside of the context of the ritual. Some magickians use certain robes only for rituals, ora certain room set aside only for rituals. Again, these are anchors in the same way.“One of the most magickal things you can do is, step into your circle, and spatially movearound your best qualities to where they will be most useful.” -RossClosing the RitualWhen the time comes to close the ritual, there are several ways to banish for closing:A. Make a statement to yourself such as, “This ritual is successfully completed, Iclose this working.”B. Laugh like a complete idiot for 2 or 3 minutes straight.C. Put on some music (such as club music) that puts you in a completely different,bouncy mood and gets you feeling energetic for your evening.D. If the desires/thoughts related to the ritual come back into your conscious mind,suppress it. Do whatever to push it back out of your mind. Don’t consciouslydwell on it.The Clearing Ritual1) Squat down with your feet on the ground. Put your palmsflat on the ground. Your arms should be between your legs (soyour knees are just outside your elbows, pressing against them.)Spread your fingers out as wide as they will go.2) Perform the Breath of Fire 3 times. While performing theBreath of Fire, do these visualizations:·  During the fast breathing, look between your palmsand imagine a representation of your failings andweaknesses moving down through you and into theground. The representation can be a sloughing off ofold lizard skin, or dirty contaminants moving out in adusty whirl, or whatever works for you.·  During the long inhale and exhale, look up, andimagine a representation of your desired attributesand positive energy. This can be a golden warm light, aswirl of powerful bubbles, or whatever else works foryou.3) Release any expectation of result or outcome. Feel the senseof detachment and new possibility. Expectation equals doubtequals failure.Doubt Equals Failure, Expectation Equals DoubtIn NLP, doubt equals failure. The word ‘Try’ is even used in patternsto presuppose failure. “Try not to feel that sensation as it…”With a positive expectation, you place excessive value on something (orsomeone) and spend a lot of time consciously thinking about it, insteadof letting it percolate in the unconscious. Usually with SS studentsthe object of this thought/desire is a woman, and placing excessivevalue on her is the death knell for the seduction.Similarly, a doubt is just a negative expectation instead of a positiveone. Again, with a doubt you are placing excessive value on something,and spending a lot of time thinking about it, instead of letting itpercolate in the unconscious mind.The point of the ritual and the sigils is to activate UNCONSCIOUSthought processes and take advantage of the resources available in theunconscious mind.Yates gives a quick example (from everyday life) of using unconsciousthought processes:”Ever been in a conversation and, perhaps you were talking aboutsomeone, but you forgot his name. So you say, ‘Well it’ll come to mein a few minutes’ and you forget about it. Then later, at dinner, youblurt out ‘Jim Jones!’ So what happened there? Your conscious mind issearching for something that is stored in unconscious memory…andcan’t find it. So you *let it go* and forget it, and _now_ theunconscious mind can go and retrieve it for you.”Cultivate an attitude of “Non-attachment, non-disinterest.”Exercise: Two people face each other. Each puts one hand out and they put their palmstogether. One person is the trainer, and he will move his hand around as freely as hewishes. The other must keep his hand up against the trainer’s hand while at the sametime not pressing against it. In other words, his hand doesn’t come away from, nor doesit press against, the other person’s hand. This is while he follows along with the trainer’smovements.SigilsFigure 2.A sigil is a word or image that expresses a change in your will.A sigil is a word or symbol that you invent and attach meaning to, using your energy,imagination, and intent.An example of this in everyday life is brought up by one of the students…the Nikecommercials. Basically, every Nike commercial is a mini-ritual, and the resultingidentity/state/belief is then associated unconsciously with the Nike “swoosh” sigil.The next time you see a Nike commercial, be aware of this angle and see how itchanges your perception of what is actually being done in the advertisement.(Ironically, assuming it works, people actually could notice an increase in athleticability while wearing Nike shoes, because of the unconscious programming that hasbeen associated with them.)The sigil in figure 1 is only an example. It was created by Ross to represent the idealfemale that he wanted to attract. He made a list of attributes: Adventurous, Athletic,Sensual, Suggestible, and Open. He then used the first letter from each word to createthis sigil. Obviously in this example, this sigil would be used in a ritual intended forprogramming your unconscious to attract a specific type of “ideal mate.” This “firstletter of each word” technique is the recommended one from “Basic Sigil Magic”, dueto the interaction it causes between conscious desire and unconscious processing.It has been said that designing a sigil is the most important part of using one, becauseit will have deep unconscious meaning and power within your mind. The importantthing with making new sigils is that you don’t choose a pre-existing symbol that hasany pre-existing thoughts, feelings, or meanings attached to it. We want a pure,untouched symbol with no prior neural associations formed to it. The symbol shouldbe new and fresh, ready to be infused with power and meaning and depth.Keep in mind: A Sigil doesn’t have to be a graphical symbol. It can be any kind ofsymbol. It can be a word that you invent, and vibrate during a ritual. You might evenfind more usefulness in creating a sigil that consists of a symbol and a word, which areused together to represent the same meaning.What’s the point of using a sigil? What is the usefulness of taking a symbolicrepresentation of the desire instead of the desire itself?If you want something too much, and you’re constantly thinking of it, you will end uppushing it away. You interrupt things just as they’re about to be given to you. Youinterrupt a woman’s response to you. We use a sigil because it involves the participationof the unconscious mind.Figure 3. – Huna ModelConscious MindUnconscious Mind- Realm of infinite possibility- Thoughtforms, energy, intent,will, imagination.Recommended ReadingHermetic Magic by FlowersPrime Chaos by Phil HineLiber Chaos by Peter CarrollSecrets of Sex Magic by U.D. FraterMastering Your Hidden Self by Serge KahilikingSecret Science Behind Miracles by Max Freedom LongFutureritual by Phil FarberThe Magickal Sargy Self RitualPreparation. Here are the preparations you must make in order to perform this ritual:1) Form a statement of intentThe intent you should have for this ritual is to create and install an alternate selfidentitythat will be more useful for you. This is an example of using identity as atool. A statement of intent might be, “It is my intention with this working to createand install a magickal sargy self-identity, which will enable me to take advantage ofthe usefulness it will provide.” An even more specific statement of intent wouldspecify the exact attributes that the new ‘self’ is expected to have.2) Design whatever Sigils will be neededThe main Sigil for this ritual should be a symbol and a word that, together, representThe Magickal Sargy Self that you intend to create. This sigil represents the ultimategoal and result of this ritual. You can vibrate or chant the word to yourself whileperform the ritual. You can imagine the symbol with certain colors or motion.3) Be ready to Imagine the Resources / Representations that will be neededHere are the representations that you will need…E. Imagine a resource that represents to you that feeling that anything andeverything is possible. (The next time you shake someone’s hand, imagine thatactual feeling rushing like water and light down your arm, into their hand, andinto their brain and all throughout their body. In that example, the “water andlight” serves as a representation of the feeling.) That feeling that somethingwonderful is going to happen…and anything can be made possible. It’s likethat feeling a kid has when he is imagining an upcoming trip to Disneyland. Orwhen he’s wondering what the other kids will be like on the first day of school.This is the “Something wonderful is going to happen, and anything can bemade possible” resource. In your imagination, create a resource that representsthis state to you. (It can be a color, a construct, a symbol, a fictional characterthat fits the attitude, etc *whatever works for you*)F. A resource to rapidly notice what other people are offering you, and torapidly make use of it. This resource will represent the ability to noticesubtleties in the state and communication of other people. It is a deep insightinto other people. It’s a swiftness, clarity of thought, and deep curiosity aboutothers. For this resource, Ross imagines the god Mercury. Mercury was themessenger of the gods. Very small, with winged feet, and flew around swiftly.This is the “notice what people offer and rapidly make use of it” resource.G. A resource that ignites the passions and desires of other people, ANDcommands their priority and respect.H. A resource that represents playfulness and outrageousness. To enter this state,close your eyes and vividly remember the last time you played a good practicaljoke on someone. The cocky, daring trickster. This is Loki, the trickster god.Ross uses Pepe LePew, Groucho Marx, The Naked Gun, etc to represent thisresource. This is the “Playful and outrageous” resource.[Some people find it useful to perform a separate ritual to create each resource (Athrough D) and then pull them all together to perform this ritual, which then chargesthe sigil.]Performing the ritual:Feel free to experiment with this ritual. Keep a Magick Journal and record all yourexperiments. Feel free to make changes to the design of this ritual so that it will suit you.But first make sure you understand all the mechanics involved and that you are makingintelligent changes for a reason.1) Banish to clear a circle for working. Do this preferably by using ALL of thebanishing techniques. These are:a. Loud noises such as chants, banging items, or a recording of tribaldrums.b. Light your ceremonial incense.c. Say to yourself, “I now clear away and banish all limiting influencesand enter a place where anything can be made possible.”d. Close your eyes and look upwards 30 degrees.e. Perform the Breath of Fire 3 times.2) Physically step into your circle. As you enter this place, notice that all of yourold limits, ways, and restrictions are gone. They don’t exist inside the circle.3) Imagine the “Something wonderful is going to happen, and anything canbe made possible” resource. Visualize it in front of you, just OUTSIDE yourcircle. (Note, these resources can take any form…a symbol, an energy source,a character such as Batman or James Bond…anything that best represents thatstate for you.)4) Command the resource to remain outside of the circle, sending its energytowards you for the successful completion of this working. Imagine theenergy being directed towards you by the resource, charging up thecircle.5) Physically take a quarter turn to the Right. The resource that you justcommanded is now to your left.6) Imagine the “notice what people offer and rapidly make use of it”resource. Visualize it in front of you, just OUTSIDE your circle.7) Command the resource to remain outside of the circle, sending its energytowards you for the successful completion of this working. Imagine theenergy being directed towards you by the resource, charging up thecircle.8) Physically take a quarter turn to the Right. The resource that you justcommanded is now to your left.9) Imagine the “ignites the passions and desires of other people, ANDcommands their priority and respect” resource. Visualize it in front of you,just OUTSIDE your circle.10) Command the resource to remain outside of the circle, sending its energytowards you for the successful completion of this working. Imagine theenergy being directed towards you by the resource, charging up thecircle.11) Physically take a quarter turn to the Right. The resource that you justcommanded is now to your left.12) Imagine the “Playful and outrageous” resource. Visualize it in front of you,just OUTSIDE your circle.13) Command the resource to remain outside of the circle, sending its energytowards you for the successful completion of this working. Imagine theenergy being directed towards you by the resource, charging up thecircle.14) Beneath your feet, imagine a strong, stable, solid grounding source.15) Above your head, represent pure math, or a connection with yourunconscious, or infinite possibility. Ross represents a glowing golden ball oflight for this step.16) For each resource that is sending its energy towards you, turn to face it,physically reach out, and pull that energy into you. Imagine the resourceentering the circle and stepping directly into your body. (Since there are fourof these resources, you will do this step four times.)17) Physically reach up and pull the top resource down across your whole bodyand inside you.18) Squat down and perform the Breath of Fire (as many times as you deemnecessary.) Whenever you inhale deeply, imagine that you are deeplyinhaling all the awesome power that is within the circle. Imagine the energywithin you forming as the shape of your sigil, swirling and moving around inyour body. The more it moves, the stronger it gets. The stronger it gets, themore it moves.19) Stand up. Zip up all of this energy inside you. Do this by imagining a zipperthat runs from your pubic bone to your mouth. Physically reach down andgrab the imaginary zipper, and slowly zip it up towards your mouth. As youimagine yourself zipping up, inhale deeply. Imagine that you are deeplyinhaling all the awesome power that is within the circle. When the zipperreaches the top, imagine that you have sealed it all in.20) Sit in your favorite meditation position. I recommend kneeling, as it usuallyhas few other neural associations. If you have a deep trance anchor onyourself, this is a good time to fire it. (Reference the example given ofholding the thumb and middle finger tips together while meditating, in orderto set/fire a kinesthetic anchor for the meditative state.)21) Begin to perform Sanchin breathing. Continue to imagine the energy/sigilmoving throughout your body. Meditate like this until you feel like you aredone. Here is what Merlin does during this phase:I begin to get a sense in my mind of how I want things to go that night. (Don’t get TOO specific; just get ageneral sense of the desire being fulfilled. If you get too specific you will trap your unconscious into only ONEoutcome…bad thing) I hear girls in my mind saying…. “mmmm, ooohhhh who’s THAT? Oh god…he’s sooosexy and….mmmmmm sooooo irresistible. I MUST HAVE HIM!”I will see things THROUGH MY OWN EYES as if I were already there and hearing these things. I willimagine girls turning towards me, and unknowingly their hand slips down between their legs as they see me.Then I will see ME…through THEIR eyes…I will see me and feel incredibly horny and aroused at the sight ofme. I will moan in my mind at the sight of me and feel the sensations and think the thoughts that I wantTHEM to feel and think. (This truly is a mind fuck in the beginning…took me a while to imagine me and wantto fuck me. but that also shows that maybe you don’t find yourself attractive and desirable)I will hear a DEEP, SOOTHING voice in my head saying in an incredibly sexy voice…”I am unstoppable, I ama master seducer…I walk through the would with total confidence drawing only those people whom I want tome …I am all powerful…and everyone who crosses my path will never be the same…they will have nochoice…they will feel better and want better things and not know why.”Now, I will sit in this state and hear these things and see these mental movies until I feel like…it’s done. And ifyou stick in there…that time will come. You will just suddenly feel like…ok, that it. I’ve got it.Now, once I reach that “I’m finished” point, I will sit up and do the BREATH OF FIRE…3 more times toremove the last trace of anything that might hinder me.22) Stand up, and physically step outside the circle.23) Physically reach out and imagine taking your circle in front of you, likeholding up a hoola-hoop. Imagine it shrinking down…smaller and smaller,brighter and brighter, until it becomes a golden ring on your finger, its powercoursing through you.24) Banish to close the working. Do this by using ALL of the banishingtechniques listed in Preparation step (5) – “closing the ritual.” These are:a. State to yourself, “This ritual is successfully completed, I now closethis working.”b. Laugh hysterically like a complete idiot for 2 or 3 minutes straight.c. Put on some energetic, bouncy music (such as Chemical Brothers) toget you feeling excited for your day / evening.d. If the desires/thoughts related to the ritual come back into yourconscious mind, suppress it. Do whatever to push it back out of yourmind. Don’t consciously dwell on it.Ideal Mate Ritual1) Design the sigil. Ross’s sigil for this ritual is shown in figure 2. Have itdrawn on a piece of paper.2) Formulate a statement of intent – such as, “It is my intent to ritually chargethis sigil to irresistibly draw to me any women who match my ideal.”3) Perform a banishing. Close your eyes, take a breath, look both eyes to thespace between the eyebrows. Count:3 3 32 2 2 (Picture the numbers as you count.)1 1 1Then say to yourself: “I now clear away and banish all limiting influences,and enter a place where anything can be made possible.”4) Start your chant, if you have one.5) Masturbate. (????)6) At the moment of orgasm, put the sigil up in your face and inhale it deeply,with eyes open wide.7) Close the operation. Laugh hysterically. Put away or destroy the sigil. Say toyourself, “This ritual is complete, my desire is fulfilled, I close this working.”8) If the desire comes back into your mind, suppress it. Do whatever to push itback out of your mind.Psychic InfluenceIn the context of the M&PI course, Magick is defined as a powerful way to changeyourself, and Psychic Influence is defined as a way to influence other people. Again, thisinfluence is achieved via programming your own brain, and via NLP-style rapport withthe other person. A quote from Yates to clarify: “Psychic Influence isn’t about viewingor projecting thoughts. Rather, it’s about viewing or projecting a state.”The mechanics of how this occurs are irrelevant. What’s important is, do I get resultswhen I adopt this model?Important abilities in order to perform Psychic Influence1) Ability to energize with breathing.2) Ability to go into an altered state.3) Ability to visualize vividly.4) Ability to create and hallucinate kinesthetic sensations in yourself.5) Ability to imagine yourself experiencing through another person’s perspective; tovisualize from different vantage points.6) Proper use of posture and micromovements of the body. Use your physical bodyto make things real.7) Ability to close the doors of intention and put things out of the conscious mind.Vizzini’s “Step Into” Exercise:Pick someone in the room. See that person from your peripheral vision, and let yourimagination fill in all the details. Now imagine yourself floating over that person. Thenyou slowly move down and float inside that person. It’s like, first you’re looking at thetop of their head, and then you are pulled down and step inside. Now see through theireyes…feel what they would feel, think would they would think. Try tensing yourmuscles and then releasing them as you step inside. Relax into people.TV Screen Exercise:While talking to a chick, look into her left eye with your left eye. On her left shoulder,visualize a TV screen, on which is playing an XXX movie starring the two of you…withher writhing in ecstasy as you pleasure her with your tongue.“If you’re feeling doubts right now, keep in mind that I’m the one who put that doubt inyour head.” -Ross JeffriesGlamour Spell1) Pick a context where you wish to walk in the room and have people think,“Who the hell is that?”2) It is my intent to generate an overwhelming glamour of attraction in ____context.3) Perform a banishing. Close your eyes, take a breath, look both eyes to the spacebetween the eyebrows. Count:3 3 32 2 2 (Picture the numbers as you count.)1 1 1Then say to yourself: “I now clear away and banish all limiting influences, andenter a place where anything can be made possible.”4) Outside your circle, see an image of your ideal self.5) Point at your ideal self. Take a deep breath and…6) Purse your lips and begin to blow energy into the ideal self.7) As you continue doing this, in through the nose, out through the mouth, imaginethe ideal self beginning to glow, and grow larger.8) If you have a word of power, repeat it to yourself and see it entering the idealself.9) If you’ve constructed a sigil that represents your ability to totally englamourizeanyone, see it entering your ideal self.10) Connect the self to you with an “incredible connection”-like cord of light fromthe solar plexus.11) Imagine the context where you want to englamourize those people. See thepeople you’re going to influence.12) Command the image of the ideal self to hover over the room like a kite or acanopy.13) See its energy sweeping over and surrounding the people that you want toinfluence.14) Command the self to stand behind you (still outside the circle.)15) Take a deep breath and watch it grow bigger. As this happens, it splits like aRussian doll, so that there is one behind it, even bigger. And one behind that,even bigger, and so on, as far as the “eye” can see.16) See your audience again, and step down and slide into them, so that you areseeing through their eyes.17) Through their eyes, see yourself…and also see all of your ideal selves behindyou, glowing with power.18) Hear their thoughts: “Wow, this guy is fascinating.” Or “Wow, when I’maround him, I can learn to do anything.” Or “Wow, I feel strongly drawn to thisperson.”19) Step out, shift perspectives, and see them through your own eyes, as if you werereally in that situation. Imagine them glowing, eager for you.20) Repeat steps (17) – (19). Now imagine the people doing all the things that youwould want them to do.21) Continue doing this, and wait for the ‘click’ where everything feels right.22) Stand up, step outside the circle. Banish with laughter.[Note: This “banish with laughter” stuff is starting to remind me of the evil villaincackling as he completes some diabolical spell.]A process that Ross uses:I’ll take what someone says and I put it through a filter: What is she really saying aboutherself, her view of the world, and how she walks through life?What is implied? What is this person really doing? What is it, that’s left unsaid, thatmust be true in order for her statement to make sense?Etheric Yank(A Magickal Thing that you do to seduce someone remotely.)WARNING: Sometimes, magickly speaking, it’s better to empower your will to be attractive to manypeople, rather than to try and get one person. You could be doing it to serve an AFC identity that shouldnot be reinforced, and that ultimately does not serve you. If you find that your interest is high in this ritual,you should take this warning to heart.1) Form your statement of intent.2) Energize with breathing.3) Create your magickal self and zip it up inside you.4) Sit in your circle.5) Visualize and feel a circle of energy. It becomes a tunnel to the target.6) Reach out and yank the tube into your physical space. Get the sense that the actualperson is standing there in your circle.7) Create a golden rapport bubble surrounding you both.8) In imagination, open arms and greet warmly. (Alternative: shake hands warmly.)9) See your energy extending from your solar plexus to theirs. Represent the samething also connecting your third eyes (middle of your forehead) and your groins.10) Unzip the target, releasing their energy.11) Unzip yourself, allowing your energy to flow into the target.12) Physically reach out and remove the target’s head, lowering it over your own.13) Mentally say, “As I place this head on mine, I automatically and unconsciouslyabsorb everything I need to seduce and influence this person.”14) Place their head back on their own body.15) Mentally step around behind the target. Imagine your arms around her. Imagineyou can feel what she would feel. Simultaneously imagine the sensations fromboth perspectives.16) The two of you now watch a movie screen that shows the two of you doingwhatever it is that you want the two of you to be doing.17) As this occurs, describe to her all the benefits and values and good feelings thatflow to her as a result. (You should be able to do this in order for it to work.)18) Step into the target on the movie screen. Feel what she feels as she’s doingwhatever she is doing.19) Step into the target as she’s standing in the circle, watching the movie play. Feelwhat she feels as she watches herself.20) Keep narrating to her how she is responding. Specifically tell her about her ownresponses. Make sure you give her warm, safe, comfortable feelings before youturn up the heat to more exciting feelings.21) Step outside of all that. You’re still in the circle with her; see her standing beforeyou. Say, “You want this now, don’t you!”22) Hear and see her give her ascent: “Yes, yes I do.” Then zip up her energymeridians. Lock them closed, locking those thoughtforms inside her.23) See the energy of those thoughtforms vibrating within her, and spreading up,down, and all throughout her body.24) Tell her, “Go. Make these thoughts your own, until you’re compelled to act onthem.” [At this point on the tape, Ross instructs the students to cross out the nextthree steps in this ritual that appeared on the original handout. I left them out ofthis document as well, as they were unneces