Description

Ebooks are in French, but they’re workable(Description translated with Google Translate)Volume 1In three chapters on styles “por arriba”, that is to say by way of MI Flamenco (respectively: tango, rumba and soleá), you will discover in this book: a detailed description of the techniques right hand clean the flamenco guitar (rasgueados, pulgar, alzapua, picado, etc.). and tips for working efficiently and an analysis of structural elements of the game solo compas, llamadas, falsetas, Remate, etc.. And many examples showing how to master the complex compás by techniques repetitive right hand (rhythm control) and on chain reflexes of hand positions left (control melodic-harmonic) analysis falsetas traditional you will create and vary your own falsetas. The CD, meanwhile, incorporates many musical examples of the method to facilitate understanding and thus assimilation.Volume 2For this second volume, we devote two chapters to styles “por medio”, that is to say by way of The Flamenco (Siguiriya, tientos and tangos) and a chapter on alegrias Tone of the major and minor, which is also an opportunity to analyze some aspects of the accompanying dancing. We will develop techniques right hand covered in Volume 1 (picado, alzapúa, arpeggios and rasgueados complex) and discovering new (tremolo, etc.).. We will also work mobility and endurance of the left hand (bars, extensions, links … all over the handle). The rhythmic and harmonic analysis are primarily designed as an approach to Flamenco guitar today. The CD, meanwhile, takes all musical examples of the method to facilitate understanding and thus assimilation.Volume 3After studying in Volumes 1 and 2, right hand techniques characteristic of the flamenco guitar, modes “por arriba” and “por medio” and some “palos” indispensable (soleá, rumba, tango, tientos, Siguiriya and alegrias), we will complete in this volume our knowledge of the basic styles by analyzing and bulerias fandangos. The chapter on bulería will explain the “keys” needed to understand the rhythmic style complex (medio-Comp, substitutions rhythmic production “automatic” setbacks, etc.). And help you discover the characteristics of two schools the important traditional for this style: those of Moron and Jerez. In the chapter on fandango, we will insist further on the harmonic structures and enrichment contemporaries. The CD, meanwhile, takes all musical examples of the method to facilitate understanding and thus assimilation.More FLAMENCO videos/tutorialsCharles Sedlak – Flamenco Made Easy – Rios – Mastery of the Flamenco Guitar Series – Graf-Martinez – Flamenco Guitar Method – Graf-Martinez – Gypsy Guitar – Rumba styles of the Flamenco Guitar – Martin – Solos Flamencos – Granados – Flamenco Guitar Didactic Handbook – Gilmartin – Learn To Play Flamenco Guitar – Pena – Toques Flamencos (Music from the Student Repertoire) –