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SHARING THIS ELSEWHERE WILL GET YOU BANNEDTHIS IS A elib.tech EXCLUSIVEKEEPING IT THAT WAY WILL BE APPRECIATEDSinging Bowl Research Series Stage 1, Sea of the Singing Bowls by Christopher Jaros[FLAC]Length – 30:20Singing Bowl Research Series – experience therapeutic singing bowls (headphones or good 2.0 speakers are recommended, setup your comfortable volume)Music tracks in this series are “byproduct” of research on sound playing bowls (also known as Tibetan, singing, or simply – sound). Due to the rather non-linear characteristics of sounds, instruments of this type are difficult to study mathematically or egzemplarycznie. Although they are simple composites of sound generators similar to those that you can now get a computer, in the case of complex solutions is somewhat more complicated. The sound is the sound of the bowl is not producing area and is the disturbance space, an anomaly that produces this sound. Unusual situations require unusual methods. This “method” in this case – is the creation of complex acoustic spaces and study them as a whole. In other words, playing a simple instrument, the result is a simple, structured music, which results in additional interference; compose “music” from the bowls sound is rather by creating a sonic space, which are introduced interference to get the effect.This composition consists of a set of sounds, which consists of approximately 160 different bowls sound production of Peter Hess (series designed to massage and sound therapy). You will hear here “pelvic bowl” (B), “basic” or “universal” (U), “heart” (S) type 1 or “large” (SD) and type 2 or “small” (SM). The massage and sound therapy, any kind of mis – has a somewhat different character as well as the vibration of their own bowls are slightly different range of applications.    Technical Information for geek’ów:        # i-ratio: B / SD / SM / U = 5.50 / 3.93 / 1.57 / 1 or B / S / U = 5.50 / 5.00 / 1        # s-ratio: B / SD / SM / U = 6.26 / 4.50 / 1.69 / 1 or B / S / U = 6.26 / 6.19 / 1        # R-BPM: 29.79 (R / K according to the pattern of coherent human consciousness)        # ADR: 18.32 (a uniformly variable density field)        # c-ratio: global = 5 The recording is a purely relaxing, without further guidance. Listening to – you feel like swimming in a group sound, created by the participants of the meeting. Note: because it is a reusable piece of music (not a unique live session), then at different volume levels and in different sessions – you can experience a very different experience, this is due to nonlinear characteristics of the sounds – crashing into the dynamics of the environment and the curve of human hearing hearing (this is similar to the optical illusion known counterpart. ” hybrid images “of the content dependent on the distance vision). UNIVERSAL Caution note: While various types of vibrations, pulsations and holoacoustic effects occurring in the recording are due to natural sound structures used in the music production process, in That suggest you take the same safety Principles, like in case of recordings with binaural beats or any other psychoactive music. Generally speaking Indications These say about caution and consultation with your doctor in case of epilepsy, pregnancy, mental disorders or other health related doubts. Do not drive while listening, and do not operate any machines. These materials as and sound recordings, although they may be used as a Therapeutic Tool, they themselves – are an artistic expression and so they Should Be Considered. The author does not take the responsibility for any Consequences coming out from use of These materials. Also, remember, that ‘although a dry recordings can be used as a great Addition to support and / or supplement the treatment, healing and recovery – keep in mind, that’ dry recordings will not substitute proper medical diagnose nor care, and they Should Be not used as a replacement in this area.Description copied from Google translator