Description

If you like this material ,Please, Join the Instant Composer Groupbuy because we will  bring even more value to elib: this is the second ebook that continues the lessons of the elementary counterpoint made by GoetschiusDescriptionTo Invention, Fugue, Canon & other Polyphonic FormsSummary Table of Contents Applied CounterpointPurpose – PrefaceApplied Counterpoint – IntroductionSection One – The Fundamental Principles of the SimpleChapter 1 – Condition 1Chapter 2 – Condition 2Chapter 3 – Condition 3Chapter 4 – Development of Thematic Resources and Various Modes of ImitationChapter 5 – The Two Voice InventionChapter 6 – The Contrapuntal Association of ThreeChapter 7 – The Three-Voice InventionChapter 8 – The Invention for More Than Three VoicesChapter 9 – Free Polyphonic Forms; the Invention as Prelude; the Fantasia, Toccata, EtcChapter 10 – The Small Species of Chorale-FigurationChapter 11 – The Large Species of Chorale-FigurationChapter 12 – The Four-Voice Fugue; the ExpositionChapter 13 – The Fugue With Less or More Than FourChapter 14 – Miscellaneous Varieties of the Fugue-Form;Chapter 15 – The Double FugueChapter 16 – The Triple-FugueChapter 17 – The Round, or Round-CanonChapter 18 – The Progressive CanonChapter 19 – The Two-Voice Canon, Accompanied;Chapter 20 – The Canon for More Than Two PartsChapter 21 – The Double-Canon, Etc.Chapter 22 – Canon as Chorale-ElaborationAppendix – Klengel: 20 Canons and FuguesEnjoy!